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dc.contributor.authorSánchez Dávila, Mario Elmer*
dc.date.accessioned2018-01-27T14:16:25Z
dc.date.available2018-01-27T14:16:25Z
dc.date.issued2013-12
dc.identifier.issn2304-2265
dc.identifier.urihttp://hdl.handle.net/10757/622599
dc.description.abstractThis article proposes to analyze the representation of race, class and moral in television phenomena “Magaly TeVe” and “Al fondo hay sitio” from an anthropological glance of the television, and understanding their communicative, discursive and social dimensions. On one hand, after analyzing the discourse of “Magaly TeVe”, it was easy to see that the why and how the success of the communication strategy for this television phenomenon closely imposes moral and socially shared codes, and a configured mode of organization, relationship and interaction already validated in our social fabric. On the other hand, after analyzing the discourse of “Al fondo hay sitio”, it was easy to see that we have confused, naively, inclusion with redemption within a framework of convergence space-time of two contradictory cultural codes that permanently relate and interact from guidelines of race and class that function as semantic cores that shape, on the other hand, a determined social relationship and interaction of power and symbolic violence between his characters.
dc.formatapplication/pdfes
dc.language.isospaes
dc.publisherUniversidad San Martín de Porreses
dc.rightsinfo:eu-repo/semantics/openAccesses
dc.subjectAntropologíaes
dc.subjectComunicaciónes
dc.subjectDiscursoes
dc.subjectSemiologíaes
dc.subjectSociedades
dc.subjectTelevisiónes
dc.titleRepresentación de raza, clase y moral en la televisión del Perú. Un análisis social de “Magaly TeVe” y “Al fondo hay sitio”es
dc.typeinfo:eu-repo/semantics/articlees
dc.identifier.journalCorrespondencias & Análisises
refterms.dateFOA2018-06-17T22:04:13Z
html.description.abstractEste artículo se propone analizar la representación de raza, clase y moral en los programas televisivos “Magaly TeVe” y “Al fondo hay sitio” desde una mirada antropológica de la televisión, comprendiendo sus dimensiones comunicativas, discursivas y sociales. Por un lado, al analizar el discurso de “Magaly TeVe” fue fácil constatar que el porqué y el cómo del éxito de la estrategia comunicativa de este fenómeno televisivo aludían estrechamente a códigos morales socialmente compartidos y a un modo configurado de organización, relación e interacción ya validados en nuestro tejido social. Por otro lado, al examinar el discurso de “Al fondo hay sitio” fue sencillo comprobar que hemos confundido, ingenuamente, inclusión con eventuales redenciones dentro de un marco de convergencia espacio-temporal de dos códigos culturales contradictorios y que permanentemente se relacionan e interactúan desde directrices de raza y clase que funcionan como núcleos semánticos que configuran, por un lado, la construcción narrativa y, por el otro, una determinada relación e interacción social de poder y violencia simbólica entre sus personajes.
html.description.abstractThis article proposes to analyze the representation of race, class and moral in television phenomena “Magaly TeVe” and “Al fondo hay sitio” from an anthropological glance of the television, and understanding their communicative, discursive and social dimensions. On one hand, after analyzing the discourse of “Magaly TeVe”, it was easy to see that the why and how the success of the communication strategy for this television phenomenon closely imposes moral and socially shared codes, and a configured mode of organization, relationship and interaction already validated in our social fabric. On the other hand, after analyzing the discourse of “Al fondo hay sitio”, it was easy to see that we have confused, naively, inclusion with redemption within a framework of convergence space-time of two contradictory cultural codes that permanently relate and interact from guidelines of race and class that function as semantic cores that shape, on the other hand, a determined social relationship and interaction of power and symbolic violence between his characters.


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